Typically, we wouldn’t visit two museums in the same day, but today we encountered art that spanned nine centuries!

Out the door early this morning to be first (or nearly first) people in line for the Accademia. The Accademia was created in the late 18th century as a collection to inspire the artists who were studying at the Academy of Fine Arts (Accademia de Belli Arti) as well as to give them a standard by which to measure their work. It is home to Michelagelo’s “Slaves” as well as Il Gigante (“David.”)

Once in the door, we bought guides for all of the students and headed inside to quickly walk into the hallway that leads to “David” in all of his glory. An early entrance to the museum also affords you a view of the statue minus the hoards that will build and circulate around the base of the statue. No matter how many times you have seen the work in reproduction, there is nothing that can truly prepare you for encountering the David.

We spent most of the morning there — sketching and exploring the rest of the collection. We agreed to meet at 12:30 outside San Lorenzo at 12:30, giving everyone time to grab some lunch.

Our next stop was the Museo Marino Marini.  Marini was an early 20th century artist whose foundation is now in a deconsecrated church that holds many of his important sculptures, paintings and prints. As a contemporary of Picasso and Bracque, the influence of cubism is highly evident in his work.

We began student conferences today. This is a chance for everyone to check-in and talk about how the program is going, what they’re excited about, suggestions for change, etc.

Tonight, a group dinner at Casalinga, a neighborhood place. Mixed crostini, two types of pasta (penne al’arrabiata and ravioli with sage and butter), plus a mixed salad. Buono!

A Leonard Cohen concert in the Piazza Santa Croce was a temptation to go out for an evening passegiata, although the streets around the venue were roped off and no Cohen was heard. It was a nice stroll for those who ventured out.

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